Andy - In Memory 3.JPG

Deep Heritage

Cassie Lynch, Rebecca Orchard, Andrew Williams and Mei Swan Lim.

These artists have come together to translate their own meaning of the phrase ‘Deep Heritage’. Lynch is in the business of decentralising and disorientating the colonial perception of Noongar Country. Her writing explores the narratives of geomorphology through the lens of Noongar culture, booting her readers off the space-time continuum into the every- when of Indigenous deep time. For Orchard, ‘rocks are records’. Her work takes pressings of rocks from their landscape, thus mapping them in time, recording and expressing those layers in clay and paper. Williams, enamoured with sandstone and recognising the material in stately and polished civic buildings around Perth city - provides a counterpoint to the Western-centric ideas of heritage. Lim’s textiles trace the records of of coral fossil patterns left in Tamala Limestone, the forms printed like a scroll to be read. The exhibition enquires into our geological inheritance and wonders how geology will record us, while we learn to situate ourselves within the future fold of a rock.

Andrew J Williams, ‘Stone as Vessel/ The Only Good Forrest is a Forest’, Kaniyang Noongar Country/ Donnybrook Sandstone.

Andrew J Williams, ‘Stone as Vessel/ The Only Good Forrest is a Forest’, Kaniyang Noongar Country/ Donnybrook Sandstone.

Rebecca Orchard, ‘Deep Faults I’, 2019, pastel and thread on tracing paper.

Rebecca Orchard, ‘Deep Faults I’, 2019, pastel and thread on tracing paper.

Rebecca Orchard, Fragments of a Shifting Landscape, 2016, wood fired terracotta clay, house paint (burnt clay).

Rebecca Orchard, Fragments of a Shifting Landscape, 2016, wood fired terracotta clay, house paint (burnt clay).

Excerpt from Cassie Lynch's short fiction piece ‘Float’ 2019.

Excerpt from Cassie Lynch's short fiction piece ‘Float’ 2019.

Mei Swan Lim, ‘Printed Coral Fossil in Tamala Limestone Scroll 2’, Ramie fabric, block print ink, limestones, cotton.

Mei Swan Lim, ‘Printed Coral Fossil in Tamala Limestone Scroll 2’, Ramie fabric, block print ink, limestones, cotton.

Andrew J Williams, ‘Stone as Witness/ For Care of Don McLeod’, Kaniyang Noongar Country/ Donnybrook Sandstone.

Andrew J Williams, ‘Stone as Witness/ For Care of Don McLeod’, Kaniyang Noongar Country/ Donnybrook Sandstone.

Andrew J Williams, ‘Stone as Record’, Kaniyang Noongar Country/ Donnybrook Sandstone.

Andrew J Williams, ‘Stone as Record’, Kaniyang Noongar Country/ Donnybrook Sandstone.

Mei and Bec - Drawings and Hangings 1.JPG
Mei Swan Lim, ‘Printed Coral Fossil in Tamala Limestone Scroll 1’, Ramie fabric, block print ink, limestones, cotton.

Mei Swan Lim, ‘Printed Coral Fossil in Tamala Limestone Scroll 1’, Ramie fabric, block print ink, limestones, cotton.

Mei Swan Lim, ‘Printed Coral Fossil in Tamala Limestone Yellow’, Ramie fabric, block print ink, limestones, cotton.

Mei Swan Lim, ‘Printed Coral Fossil in Tamala Limestone Yellow’, Ramie fabric, block print ink, limestones, cotton.

Deep Heritage

Deep Heritage

Cassie Lynch, Rebecca Orchard, Andrew Williams and Mei Swan Lim.

These artists have come together to translate their own meaning of the phrase ‘Deep Heritage’. Lynch is in the business of decentralising and disorientating the colonial perception of Noongar Country. Her writing explores the narratives of geomorphology through the lens of Noongar culture, booting her readers off the space-time continuum into the every- when of Indigenous deep time. For Orchard, ‘rocks are records’. Her work takes pressings of rocks from their landscape, thus mapping them in time, recording and expressing those layers in clay and paper. Williams, enamoured with sandstone and recognising the material in stately and polished civic buildings around Perth city - provides a counterpoint to the Western-centric ideas of heritage. Lim’s textiles trace the records of of coral fossil patterns left in Tamala Limestone, the forms printed like a scroll to be read. The exhibition enquires into our geological inheritance and wonders how geology will record us, while we learn to situate ourselves within the future fold of a rock.

Deep Heritage was supported by City of Perth.